Kit
All gear is for wet hire only, no dry hire.
Cameras
- Sony FS100: Super 35mm sensor, true 1080p resolution, global framerates (24p/25p/30p/50p/60p) and slow motion capable
- Nikon D600: Full frame FX sensor, 24 megapixel raw stills at 6,016 x 4,016 resolution, 1080p film at 24/25/30p, 720p film at 60p - used as B/crash camera for motion
- Nikon D7000: APS-C sensor, 16.2 megapixel RAW stills at 4,928 × 3,264 resolution, 1080p film at 24p framerate - used as a B/crash camera for motion
- Polaroids: SX-70 and SX-70 sonar, Spectra, "Big Shot", Land 340 and Land 450, and too many more to list.
Lenses (All compatible with FS100 with adapters)
- Nikon: 20-35mm F/2.8; 80-200mm F/2.8; 85mm F/1.8; 50mm F/1.8; 100mm F/2.8
- Sony: 16mm F/2.8
- Fun: 25mm CCTV lens, Lensbaby Muse; Diana 75mm; Diana 35mm
Lighting
- 4x Nikon SB flashes
- 2x Elinchrom 400w strobes
- Lowel continous kit: 2x Lowel Tota; 2x Lowel Omni; full hard case with modifiers and gels
- Lots of umbrellas, softboxes, grids, wireless triggers and accessories
Software
- Adobe Production CS6: Includes Photoshop; Premiere Pro; After Effects; Audition; Encore; Speedgrade; Lightroom
- Magic Bullet Suite - colour grading
- Twixtor - enhanced slow motion
Miscellaneous
- Glidecam 2000 Pro "Steadycam" w/forearm brace - Used with FS100 in conjunction with 16mm
- Rhino Steady - Used with D600 and 20-35mm for much longer shots
- Full Windows 7 desktop: 16gb ram, 1gb CUDA video card; Intuos 5 tablet
- Asus Zenbook laptop for field work
- Sony shotgun mic, and Zoom H1 stereo recorder for crisp stereo field for environmental sound recording
- Macro filters to allow ludicrously close-focus
- Pico Dolly - allows for creative dolly shots
- Manfrotto 501HDV film tripod, and 496RC stills tripod
- Audio/music gear: Keystation Mini 32; Kaosillator; 10-track mixer; M-Audio Delta sound card; Fender 5-string bass; Shure Beta 58A vocal mic; lots of apps (Reason, Live, Garage Band, Figure, etc)
- iPad, iPod, Nexus S
